(Nsfw) figure drawing, 10-28-2014

I saw the great Albert Epshteyn, my old figure drawing teacher,  on my way to figure drawing on Tuesday. He smiled when I told him that I was going to draw. The extra lighting effects I put on at the end to give it a more “finished” feel. Painted in photoshop.



nsfw figure painting (2014-10-21


Since the sessions have consistently been at 2 hours instead of 3, we opted for 2 long poses (2x 20min) and 1x 25min, after the 10 gestures.  I’ve been doing a lot of sketchbook art for #inktober but I have been posting those to twitter and facebook. I might compile them and share them here later on.



VCU Alumni open figure drawing 2014-10-07 (NSFW)

Attendance continues to be low. Just me, and the two elders. They said they’d continue till the group was out of money to pay the model. We have been consistently at 2hrs instead of the original 3hrs in order to save money.

I tried to compress values in this session.

VCU Alumni Open Figure Drawing 9-23 (nsfw)

Tonight’s figure drawing session had better attendance than last week. Still only went 2 hours instead of 3, but there were enough people where price dropped to $5 from $6. I’m still trying to hash out a steadier workflow for digital alla prima painting. This time I did not use any overlay layers even though it might have helped. I think I was worried about running out of time that I skipped the grayscale block-in and just went straight to color. The long pose format of this figure drawing group is usually 20 minute intervals. The first interval I spend on figuring out the drawing in Autodesk Sketchbook, and starting in the second interval, I’ll move that drawing into Photoshop and start working on blocking in color. In the later intervals I’ll refine the drawing as I paint (naturally the models will shift their pose slightly). I had a hard time getting the right colors, and I felt like 2 hours wasn’t enough time for me to really embellish on the lighting as I would have liked.




The red underglow in the shadow area of the breast is from a bright red blanket that covers the podium, below the blue blanket and seat that the model was seated on, but I didn’t get to the point of painting that part. It’s the same red blanket that covers the podium from the figure painting two weeks ago. I ran out of time before I could refine the forms and shadows of the near lower leg.